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Kulintang Kultura: Danongan Kalanduyan and Gong Music of the Philippine Diaspora

by Smithsonian Folkways Recordings

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about

'Kulintang Kultura' pays homage to the late Danongan “Danny” Kalanduyan, a talented musician and generous teacher who championed traditional Filipino kulintang gong music in the United States, helping to keep the memory and practice alive. Disc 1 features Kalanduyan’s ensemble at the peak of their powers in a recording featuring a traditional Philippine repertoire. Disc 2 turns our attention to Filipino musicians in the diaspora who weave those traditions into electronica, hip-hop, rock, jazz, and other contemporary styles. 'Kulintang Kultura: Danongan Kalanduyan and Gong Music of the Philippine Diaspora' is the music of Filipinos both rooted and scattered, both ancient and modern—music that has held fast and continues to inspire. Two CDs with extensive liner notes and over 100 minutes of music.

credits

released October 1, 2021

Annotated by Mary Talusan Lacanlale, ethnomusicologist and assistant professor of Asian-Pacific Studies at CSU Dominguez Hills and performer with the Pakaraguian Kulintang Ensemble.
Album cover photograph by Tom Pitch
Co-Producers: Theodore S. Gonzalves and Mary Talusan Lacanlale
Smithsonian Folkways executive producers: Huib Schippers and John Smith
Production managers: Logan Clark and Mary Monseur
Editorial assistance by Carla Borden
Art direction, design & layout by Visual Dialogue

CD 1:
Recorded by Professor Dan Sabanovich at San Jose State University in June 2003. Produced by Danongan Kalanduyan, originally released by
Mindanao Lilang-Lilang.

Special thanks to Balboa High School, Rico Baldonado, Bobby Barlaan, Titania Buchholdt, Pio Candelaria, Marco Chavarin, Josefina Kalanduyan, Francis Novero, and San Francisco State University.

CD 2:
Track 4 Recorded by David Porter at The Music Annex, Menlo Park, California; mastered by George Horn. Track 5 recorded and mixed by Gregory Jones at T&B Audio Labs, San Francisco; additional mixing by Michael Sasaki, Bob Henry, and Don Nguyen; mastered by Paul Stubblebine at The Automatt, San Francisco; produced by Eric Hayashi (executive producer), Michael Sasaki (producer), and Bob Henry (associate producer); synthesizers programmed by Don Nguyen.

Final mastering of full album by Pete Reiniger

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